饒 祗 豪 YOW CHEE HOE
家中的妳
在家的空間之中，存在著一種長期被忽略卻持續運作的存在 —「妳」。相較於人對物件的使用關係，「家中的妳」試圖反轉此一觀看位置，將原本被動的物件轉化為主動觀看的存在。
「妳」既指涉家中的物件，同時也是一種被賦予感知與記錄能力的存在。「妳」靜默地佇立於日常之中，見證著家庭生活的流動與變化，如同一雙持續觀看的眼睛，記錄著時間在空間中的累積與轉換。
透過對「妳」的指涉，物件不再只是承載記憶的媒介，而成為記憶的見證者。創作在此由「人觀看物」轉向「物觀看人」，進一步引發對觀看位置與主體性的思考——在家庭之中，究竟是誰在觀看？誰在記錄？
因此，「家中的妳」不僅是對物件的重新命名，更是一種觀看結構的轉換。透過擬人化的語言與視覺轉化，使物件取得主體性，並成為串連後續「我家的見證物」與「家庭風景」系列的重要核心概念。
Memories of My Family
Within the domestic space exists a presence that is often overlooked yet constantly operative—“you.” Rather than maintaining the conventional relationship in which humans use and observe objects, “You” at Home reverses this position, transforming passive objects into active perceivers.
“You” refers to domestic objects, but also to a presence endowed with the capacity to sense and record. Quietly situated within everyday life, “you” witness the flow and transformation of domestic existence, like a pair of observing eyes that register the accumulation of time within space.
Through this conceptual shift, objects are no longer mere carriers of memory, but become witnesses to it. The act of viewing is inverted—from humans observing objects to objects observing humans—raising fundamental questions about perception and subjectivity: within the home, who is truly watching, and who is being recorded?
Thus, “You” at Home is not simply a renaming of objects, but a reconfiguration of the structure of perception. Through anthropomorphic language and visual transformation, objects are granted subjectivity, establishing a conceptual foundation for the subsequent development of Witnesses of My Home and Family View.
